Having curated and edited two collections of Malaysian short stories, I am aware that it’s not an easy task to produce a book in which the stories are of a consistent quality. Unfortunately, we do not (as yet) have a large enough pool of experienced and talented writers to produce enough well-written stories (especially in English) to fill an anthology. Still, this shouldn’t deter anyone from planning to collect and publish short stories by local writers. However, it should be stressed that such endeavours take time and patience to complete, and may leave those in the editing/publishing roles with their sanity in shreds. Nevertheless, I learnt a lot from editing the anthologies Malaysian Tales: Retold & Remixed and Remang and both experiences were ultimately rewarding and enriching. I hope this was also the case for Sharifah Aisha Osman and Tuty Dutta, the editors of The Principal Girl.Read More »
Lidudumalingani, from South Africa, has been announced the winner of the Caine Prize for African Writing 2016. His short story, Memories We Lost, was published in Incredible Journey: Stories That Move You (Burnet Media, South Africa, 2015). Lidudumalingani is also a filmmaker.
Read Brittle Paper’s interview with the author go here, and the winning story, as well as all the shortlisted stories here.
HELEN Oyeyemi’s stories never fail to surprise me. Just as some might expect certain kinds of characters, plots and themes from Asian authors, I have to admit that I tend to anticipate the shape and form of tales by African writers. A relatively new reader of Asian and African fiction, I still struggle with various preconceptions: Asian stories are inevitably and miserably tragic; African writing must reflect or be rooted in African life and culture. Complete nonsense, of course.Read More »