April was balmy and delicious, and cruel in the way the poet did mean, mingling memory and desire. The memory was of other springs, the desire unformulated, unrecognized almost, pushed away because there seemed to be no place for it in the life I had chosen for myself.
One day Rowena and I met to have a cosy women’s shopping lunch together. She had come up to town to buy new clothes for the children, but when I met her in our favourite restaurant she admitted that she had spent the whole morning buying things for herself and nothing for the children at all.
‘And this afternoon we’re having our hair done,’ I reminded her, for we were going together to my hairdresser who was to create elegant new hairstyles for us.
‘Oh this weather,’ Rowena sighed, pulling off her pale yellow gloves. ‘It makes one so unsettled. One ought to be in Venice with a lover!’
‘Of course,’ I agreed. ‘Whom would you choose?’
There was a pause, then we both burst out simultaneously, ‘Rocky Napier!’
and dissolved into helpless giggles.
(This is definitely going to be less rambling than the post I wrote for Excellent Women! I shall try to keep it short.)
Jane and Prudence are friends who met at university when Jane was Prudence’s tutor.
The book opens with Jane and Prudence at a college reunion. Jane is forty-one, Prudence twenty-nine. The former is married to her university sweetheart, Nicholas Cleveland, now a Church of England vicar. Prudence is personal assistant to an academic, Arthur Grampian, and is in love with him.Read More »
THE PRINCIPAL GIRL: FEMINIST TALES FROM ASIA
Edited by Sharifah Aisha Osman and Tutu Dutta
Having curated and edited two collections of Malaysian short stories, I am aware that it’s not an easy task to produce a book in which the stories are of a consistent quality. Unfortunately, we do not (as yet) have a large enough pool of experienced and talented writers to produce enough well-written stories (especially in English) to fill an anthology. Still, this shouldn’t deter anyone from planning to collect and publish short stories by local writers. However, it should be stressed that such endeavours take time and patience to complete, and may leave those in the editing/publishing roles with their sanity in shreds. Nevertheless, I learnt a lot from editing the anthologies Malaysian Tales: Retold & Remixed and Remang and both experiences were ultimately rewarding and enriching. I hope this was also the case for Sharifah Aisha Osman and Tuty Dutta, the editors of The Principal Girl.Read More »
This post contains spoilers!
What is a Pym novel with no mention of the clergy?
Julian Mallory is the vicar of Mildred’s parish. He is about forty, ‘tall, thin and angular’; High Church (much to the dismay of some of his parishioners), and prefers to be referred to as ‘Father’.
Father Mallory lives with his unmarried sister, Winifred who is a close friend of Mildred’s. As he is single, it is assumed that he believes in the celibacy of the clergy. However, when the Mallorys rent out the upper floor of the vicarage to a widow called Allegra Gray, Julian Mallory eventually becomes engaged to her.
Mrs Gray tells Mildred about the engagement. She and Julian Mallory think that Mildred will be upset by the news because, of course, being unmarried and close to the Mallorys, it is assumed that she would want the vicar for herself. <<eyeroll>>Read More »
The Weight of Our Sky
By Hana Alkaf
[Salaam Reads, 274 pages]
Owing to its subject matter — the May 13th race riots — and publishing circumstances, The Weight of the Sky was probably the most highly anticipated book to be written by a Malaysian author in the last few years. Hanna Alkaf is a Malaysian who lives and writes in Malaysia, and her publisher is an imprint of American publishing house Simon & Schuster. Malaysians get very excited when our authors are recognised (i.e. given contracts) by Western publishers, but I think this recognition couldn’t have happened to a better writer.Read More »