[This review contains spoilers]
By Anna Tan
Publisher: Pronoun, 214 pages
The prelude to Dongeng by Anna Tan sets the scene and fulfils the promise of the book’s title: This is a story set in the world of fairytales. Sang Kancil makes a brief appearance, confirming that, as the title suggests, the fairytales will be those of the Malay world.
The title also seems to remind us that the world we are about to enter, via the story, is an imaginary one. While we may be expected to suspend our disbelief as we immerse ourselves in Tan’s words, the title stresses that this is a fairy story. Or is it? Certainly, as I read more, I began to see that the book’s title might allude to the doubt and skepticism felt by the novel’s protagonist about what she encounters. Indeed, the title seems also to cheekily reference the reader’s own assumptions that the story being told is pure fantasy.
‘Chapter One’ plunges us into the thick of things: Sara, the protagonist, finds herself in the middle of a forest, on a moss-covered dais no less. A city girl, who lives in Kuala Lumpur, she is immediately aware that something really odd is afoot, and so, one of her first observations is that her handbag has travelled to the forest with her and that nothing in it has gone missing — as it would be inconvenient to have to apply for a new identity card and cancel her credit card. This response is rather incongruous, but not entirely implausible, I suppose, considering how traumatised Sara must be to find herself whisked away to another world.Read More »